Tuesday, May 11, 2010
Favorite Bridges
I'm temporarily off of my "Sparks/Underture" fascination for the moment and am now onto great bridges (the contrasting piece of the song) that Pete Townshend included in his music; primarily with The Who but he did have some good ones in his solo work, as well.
There are a few that stand out for me. The first is from "The Song is Over" off of Who's Next. The bridge part begins at the 2:35 mark.
"When I walked in through the door,
Thought it was me I was looking for,
She was the first song I ever sang,
But it stopped as soon as it began."
Overall, this song has mostly a triumphant, rejoiceful feel, however, it tails off at the end and gets a bit more somber. There is a segment in Amazing Journey: The Story of The Who where the closing part of the song is played - "this song is over, I'm left with only tears, I must remember, even if it takes a million years" - while showing clips of the dearly departed John Entwistle. One clip shows the band on stage and John's image fading while Pete and Roger make some comments about how much John is missed. It goes without saying that this part definitely tugs at your heartstrings.
The next bridge comes from "The Punk Meets The Godfather" off of the Quadrophenia album.
"I have to be careful not to preach
I can’t pretend that I can teach,
And yet I’ve lived your future out
By pounding stages like a clown.
And on the dance floor broken glass,
The bloody faces slowly pass,
The broken seats in empty rows,
It all belongs to me you know."
I remember very well this part being sung by Pete Townshend when I first saw the band at Madison Square Garden in the summer of 1996 and I was absolutely mesmerized. By the way, the "I have to be careful not to preach" line should be a mantra for some people in our government and our media.
The last bridge comes from"However Much I Booze" which if off of The Who By Numbers.
"Then the night comes down like a cell door closing
Suddenly I realize that I'm right now, I'm on the scene,
While sitting here all alone with a bottle and my head a-floating,
Far away from the form and the conscience going on with me,
And on with me, and I don't care what you say,
There ain't no way out,
There ain't no way out."
Personally, Numbers could be my favorite album by The Who, if I were to declare a favorite, which I can't/won't. Most songs from the album contain lyrics that are as heartfelt and genuine as you are going to get, which doesn't necessarily mean they are sad. Although the aforementioned song was too personal for Roger Daltrey to sing and thus Pete handled the honors. I would probably describe By Numbers as the band's most "poetic" album. I don't think anyone could find anything somber or melancholic about the song "Squeezebox."
Labels:
By Numbers,
Pete Townshend,
Quadrophenia,
The Who,
Who's Next
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2 comments:
OK, but what the heck *is* that thing that they are pissing on in the rock quarry on the cover of Who's Next?
Whatever it is, good thing that Pete didn't suggest having it lowered on stage as 'scenery' after drawing on a paper napkin that it should be 18" high ........
Otherwise, good choices for 'deep' lyrics by Townshend ... the Godfather one is a particular fave of mine, as well as the entire Quadrophenia album, which to me anyway, qualifies as a "perfect album", however many 'flaws' that the players themselves say that there are in it, it's *perfect* to this listener
-- MM
Moonlight, yeah I don't know. Legend has it, though, that they actually threw cups of water on it and that they didn't urinate on it, whatever it was.
Quad is one of those rare albums that you can hear something new each time you listen to it.
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